In another 1001 Nights tale, "Abdullah the Fisherman and Abdullah the Merman", the protagonist Abdullah the Fisherman gains the ability to breathe underwater and discovers an underwater submarine society that is portrayed as an inverted reflection of society on land, in that the underwater society follows a form of primitive communism where concepts like money and clothing do not exist. Other Arabian Nights tales also depict Amazon societies dominated by women, lost ancient technologies, advanced ancient civilizations that went astray, and catastrophes which overwhelmed them. "The City of Brass" features a group of travellers on an archaeological expedition across the Sahara to find an ancient lost city and attempt to recover a brass vessel that Solomon once used to trap a jinn, and, along the way, encounter a mummified queen, petrified inhabitants, life-like humanoid robots and automata, seductive marionettes dancing without strings, and a brass horseman robot who directs the party towards the ancient city, which has now become a ghost town. "The Ebony Horse" features a flying mechanical horse controlled using keys that could fly into outer space and towards the Sun. Some modern interpretations see this horse as a robot. The titular ebony horse can fly the distance of one year in a single day, and is used as a vehicle by the Prince of Persia, Qamar al-Aqmar, in his adventures across Persia, Arabia and Byzantium. This story appears to have influenced later European tales such as Adenes Le Roi's Cleomades and "The Squire's Prologue and Tale" told in Geoffrey Chaucer's The Canterbury Tales. "The City of Brass" and "The Ebony Horse" can be considered early examples of proto-science fiction. The "Third Qalandar's Tale" also features a robot in the form of an uncanny boatman.>>
Off topic discourse and banter encouraged.
2 posts • Page 1 of 1
- Vacationer at Tralfamadore
- Posts: 14962
- Joined: Mon Jan 21, 2008 1:57 pm
- Location: Alexandria, Virginia