APOD: Tails of Comet Garradd (2011 Oct 20)

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APOD: Tails of Comet Garradd (2011 Oct 20)

Post by APOD Robot » Thu Oct 20, 2011 4:10 am

Image Tails of Comet Garradd

Explanation: A good target for binoculars and small telescopes, Comet Garradd (C/2009 P1) now shines in planet Earth's evening skies, a steady performer but just below naked-eye visibility. Telescopic images like this composite from October 15 can find the comet with a lovely green coma, sporting multiple tails, and lingering against a background of faint stars. The field of view spans over 1 degree or about 2 full moons within the southern boundaries of the constellation Hercules. Now around 16 light minutes (2 astronomical units) away, P1 Garradd is an intrinsically large comet, but will never make a very close approach to Earth or the Sun while sweeping through the inner solar system. As a result, the comet will likely stay a sight for telescopic eyes only, moving slowly through the sky and remaining in Hercules during the coming months.

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islader2

Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by islader2 » Thu Oct 20, 2011 4:37 am

Let's hear it for the Aussies! How about, it Neufer==give us one of your fine dissertations on astroperson Garradd. I always tune for your contributions. :lol: :lol: {Thanx}

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Joe Stieber » Thu Oct 20, 2011 4:38 am

I was out on Monday evening, October 17th, to look for Mercury after sunset (I found it, about 4 degrees from brilliant Venus, using 16x70 binoculars). Since I was at a relatively dark site, I also took a look at comet C/2009 P1 (Garradd) with the binoculars. Indeed, it was pretty easy to find in Hercules five minutes before the end of nautical twilight. It seemed to show a faint tinge of greenish color, but no tail was evident (then clouds took over by the end of astronomical twilight). In any case, a nice picture today! The bright star on the right-hand side of the frame is magnitude 6.7 SAO 103110.

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Ann » Thu Oct 20, 2011 5:32 am

Joe Stieber wrote:I was out on Monday evening, October 17th, to look for Mercury after sunset (I found it, about 4 degrees from brilliant Venus, using 16x70 binoculars). Since I was at a relatively dark site, I also took a look at comet C/2009 P1 (Garradd) with the binoculars. Indeed, it was pretty easy to find in Hercules five minutes before the end of nautical twilight. It seemed to show a faint tinge of greenish color, but no tail was evident (then clouds took over by the end of astronomical twilight). In any case, a nice picture today! The bright star on the right-hand side of the frame is magnitude 6.7 SAO 103110.
Well done, Joe Stieber! :-D :clap:

On a different note, does anyone know the exact coordinates of the field of sky that Comet Garradd is passing through in today's APOD? I'd love to know what that brightish greenish-blue star at right might be, the one that seems to be in the comet's path. I'd love to look it up with my software to check out its spectral class and B-V index, to compare its color with the greenish color of the coma of the comet.

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Ann » Thu Oct 20, 2011 5:59 am

Hmmm. As for the identity of that brightish blue-green star, a possible contender might be HD 162161. Its visual brightness seems right (mag. 6.13, just below naked-eye visibility), its spectral class, A1V, seems plausible (except that its luminosity, 81 times the Sun, seems too bright), and its B-V color, 0.024 ± 0.004, seems right, too.

So Comet Garradd is a bit greener than an A1V star! :mrgreen:

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Joe Stieber » Thu Oct 20, 2011 8:33 am

Ann wrote:Hmmm. As for the identity of that brightish blue-green star, a possible contender might be HD 162161. Its visual brightness seems right (mag. 6.13, just below naked-eye visibility), its spectral class, A1V, seems plausible (except that its luminosity, 81 times the Sun, seems too bright), and its B-V color, 0.024 ± 0.004, seems right, too.

So Comet Garradd is a bit greener than an A1V star! :mrgreen:

Ann
Ann,

As I noted in my earlier post, the brightish blue-green star on the right-hand side of the frame is SAO 103110 (= HD 161921). It's magnitude 6.7 with a B-V of 0.08 (per SkyTools 3). The star you mentioned, HD 162161, is just outside the field of view at the top, probably around the "20" in the date above the picture.

BTW, thanks for the "well done," but to be honest, this comet is relatively bright and pretty easy to spot with modest optical aid. :D

Joe

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Ann » Thu Oct 20, 2011 11:36 am

Joe Stieber wrote:
Ann wrote:Hmmm. As for the identity of that brightish blue-green star, a possible contender might be HD 162161. Its visual brightness seems right (mag. 6.13, just below naked-eye visibility), its spectral class, A1V, seems plausible (except that its luminosity, 81 times the Sun, seems too bright), and its B-V color, 0.024 ± 0.004, seems right, too.

So Comet Garradd is a bit greener than an A1V star! :mrgreen:

Ann
Ann,

As I noted in my earlier post, the brightish blue-green star on the right-hand side of the frame is SAO 103110 (= HD 161921). It's magnitude 6.7 with a B-V of 0.08 (per SkyTools 3). The star you mentioned, HD 162161, is just outside the field of view at the top, probably around the "20" in the date above the picture.

BTW, thanks for the "well done," but to be honest, this comet is relatively bright and pretty easy to spot with modest optical aid. :D

Joe
Oops, silly me for not reading through all of your post! :oops: :oops: :oops:

I'll check out that star as soon as I can access my software at home! :D

Ann
Last edited by Ann on Thu Oct 20, 2011 12:07 pm, edited 1 time in total.
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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by saturn2 » Thu Oct 20, 2011 11:50 am

Distante from Earth to Comet Garradd 16 light minutes or 2 Astronomical unites or
300 million of kilometers.
Comet Garradd has a green coma. This color is interesting as contrast in the sky.

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Tales of Garradd

Post by neufer » Thu Oct 20, 2011 12:58 pm

islader2 wrote:
Let's hear it for the Aussies! How about, it Neufer==give us one of your fine dissertations on astroperson Garradd. I always tune for your contributions. :lol: :lol: {Thanx}
I aim to please (; I also know that owlice will appreciate the picture of a fellow biker :wink: ):
http://en.wikipedia.org/wiki/Gordon_J._Garradd wrote:
[img3="25cm f/4.1 Newtonian on a German Equatorial mounting driven by a Byers 9" 360:1 worm reduction and geared stepper motor. Declination drive is through a tangent arm that runs through the hollow RA shaft."]http://members.ozemail.com.au/~loomberah/images/gjg.jpg[/img3]
<<Gordon J. Garradd is an Australian astronomer from Loomberah, New South Wales. He has discovered numerous asteroids and comets, including Comet Garradd, and 4 novae in the LMC. Garradd's Loomberah Observatory is situated on top of a hill, about 300 metres altitude above the bottom of the valley at Longitude 151.05 East, Latitude 31.33 South, Altitude 845m ASL (IAU observatory code 422) approximately 300km North of Sydney NSW.

Gordon was born in Australia and lived his early life in Sydney, Oberon and Tamworth. He is a keen photographer, mountain bike rider, solar and wind power enthusiast. Gordon has worked for a number of astronomical institutions in the USA and Australia and currently works at Siding Spring Observatory where he specialises in finding NEOs.>>
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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by neptunium » Thu Oct 20, 2011 4:05 pm

At least I know where to look tonight! This is a great chance to see Comet Garradd again. :D

It's cool to think that light from the comet now takes 16 minutes to reach Earth. 8-)

islader2

Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by islader2 » Thu Oct 20, 2011 7:27 pm

NEUFER==Thank you, thank you for your excellent response to my request re Garradd the person. I was hoping that you would take requests--since you have such a vast cache of information {dare I say it without sounding overcomplimentary?} about so many and varied topics==as well as my hobby of astronomy. The Garradd pictures of Uluru brought back fond memories of my ascent of Ayers Rock and breakfast of outback grubs. ( Not to mention the ritual walk around the monolith to honor native protocol). Looking forward to your next esoteric post and a chance by me to contribute a meaningful post! :D :D
:!: :!: :!: :D :D

Wolf Kotenberg

Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Wolf Kotenberg » Thu Oct 20, 2011 9:30 pm

I recall in the not so distant past how CCD cameras are going to ruin classic astronomy. No it didn't.

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Chris Peterson » Thu Oct 20, 2011 9:45 pm

Wolf Kotenberg wrote:I recall in the not so distant past how CCD cameras are going to ruin classic astronomy. No it didn't.
I don't recall such a threat. But if by "classic astronomy" you mean standing for hours in the dark and cold with your eye at a guide scope, keeping a star centered with frozen fingers on a handpaddle, only to find out the next day when you developed your film that the focus was bad... well then yes, I guess CCDs ruined that!
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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by NoelC » Thu Oct 20, 2011 10:24 pm

Ann wrote:On a different note, does anyone know the exact coordinates of the field of sky...
There's a pretty cool web service that will find the coordinates of any photo of sky you submit. For a long time I used the beta version, and now it looks as though they've released it for public consumption...

http://nova.astrometry.net

Just click the Upload link, choose URL, and put in the URL for the APOD image.

I don't have time to wait to see if it will find the exact location of the APOD image, but if it works as well as the beta version did, it will, and it will provide all kinds of great info about the field of view.

-Noel

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by neufer » Thu Oct 20, 2011 11:35 pm

Chris Peterson wrote:
But if by "classic astronomy" you mean standing for hours in the dark and cold with your eye at a guide scope, keeping a star centered with frozen fingers on a handpaddle, only to find out the next day when you developed your film that the focus was bad... well then yes, I guess CCDs ruined that!
Our sincere condolences, Chris.
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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Ann » Fri Oct 21, 2011 2:51 am

NoelC wrote:
Ann wrote:On a different note, does anyone know the exact coordinates of the field of sky...
There's a pretty cool web service that will find the coordinates of any photo of sky you submit. For a long time I used the beta version, and now it looks as though they've released it for public consumption...

http://nova.astrometry.net

Just click the Upload link, choose URL, and put in the URL for the APOD image.

I don't have time to wait to see if it will find the exact location of the APOD image, but if it works as well as the beta version did, it will, and it will provide all kinds of great info about the field of view.

-Noel
Thanks, Noel! What a cool link! 8-) :D

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by NoelC » Fri Oct 21, 2011 3:53 am

Bah, it doesn't seem to be working today.

I did get a result from the beta test site:

(RA, Dec) center: (267.31719419, 18.8601948375) degrees
RA bounds: 266.699 to 267.933 degrees
Dec bounds: 18.4568 to 19.2619 degrees
(RA, Dec) center (H:M:S, D:M:S): (17:49:16.127, +18:51:36.701)
Orientation: 177.77 deg E of N
Pixel scale: 4.55 arcsec/pixel
Parity: Reverse ("Left-handed")
Field size : 68.27 x 45.51 arcminutes

-Noel

Wolf Kotenberg

Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Wolf Kotenberg » Fri Oct 21, 2011 2:53 pm

Chris Peterson wrote:
Wolf Kotenberg wrote:I recall in the not so distant past how CCD cameras are going to ruin classic astronomy. No it didn't.
I don't recall such a threat. But if by "classic astronomy" you mean standing for hours in the dark and cold with your eye at a guide scope, keeping a star centered with frozen fingers on a handpaddle, only to find out the next day when you developed your film that the focus was bad... well then yes, I guess CCDs ruined that!
in the same way pencils ruined the chisel business

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"A little tail" told by an idiot signifying nothing

Post by neufer » Fri Oct 21, 2011 5:44 pm

Wolf Kotenberg wrote:
Chris Peterson wrote:
if by "classic astronomy" you mean standing for hours in the dark and cold with your eye at a guide scope, keeping a star centered with frozen fingers on a handpaddle, only to find out the next day when you developed your film that the focus was bad... well then yes, I guess CCDs ruined that!
in the same way pencils ruined the chisel business
http://en.wikipedia.org/wiki/Pencil wrote:
<<A pencil is a writing implement or art medium usually constructed of a narrow, solid pigment core inside a protective casing. The case prevents the core from breaking, and also from marking the user’s hand during use. The archetypal pencil may have been the stylus, which was a thin metal stick, often made from lead and used for scratching in papyrus, a form of early paper. They were used extensively by the ancient Egyptians and Romans. The word pencil comes from the Old French word pincel, a small paintbrush, ultimately deriving from the Latin word penicillus "a little tail." Although lead has not been used for writing since roman times, lead poisoning from pencils was not uncommon; until the middle of the twentieth century the paint used for the outer coating could contain high concentrations of the element and this could be ingested when the pencil was sucked or chewed. Residual graphite from a pencil stick is not poisonous, and graphite is harmless if consumed.

Some time before 1565 (some sources say as early as 1500), an enormous deposit of graphite was discovered on the approach to Grey Knotts from the hamlet of Seathwaite in Borrowdale parish, Cumbria, England. The locals found that it was very useful for marking sheep. This particular deposit of graphite was extremely pure and solid, and it could easily be sawn into sticks. This remains the only large scale deposit of graphite ever found in this solid form. Chemistry was in its infancy and the substance was thought to be a form of lead. Consequently, it was called plumbago (Latin for "lead ore"). The black core of pencils is still referred to as lead, even though it never contained the element lead. The words for pencil in German (Bleistift) and in Irish (Peann Luaidhe) both literally mean lead pen.

The value of graphite was soon realised to be enormous, mainly because it could be used to line the moulds for cannonballs, and the mines were taken over by the Crown and guarded. When sufficient stores of graphite had been accumulated, the mines were flooded to prevent theft until more was required. Graphite had to be smuggled out for use in pencils. Because graphite is soft, it requires some form of encasement. Graphite sticks were initially wrapped in string or sheepskin for stability. The news of the usefulness of these early pencils spread far and wide, attracting the attention of artists all over the known world.

Although deposits of graphite had been found in other parts of the world, they were not of the same purity and quality as the Borrowdale find, and had to be crushed to remove the impurities, leaving only graphite powder. England continued to enjoy a monopoly on the production of pencils until a method of reconstituting the graphite powder was found. The distinctively square English pencils continued to be made with sticks cut from natural duck graphite into the 1860s. The town of Keswick, near the original findings of block graphite still manufactures pencils, the factory also being the location of the Cumberland pencil museum. The first attempt to manufacture graphite sticks from powdered graphite was in Nuremberg, Germany, in 1662. It used a mixture of graphite, sulphur, and antimony.

An Italian couple named Simonio and Lyndiana Bernacotti made what are likely the first blueprints for the modern, wood-encased carpentry pencil. Their version was a flat, oval, more compact type of pencil. Their concept involved the hollowing out of a stick of juniper wood. Shortly thereafter, a superior technique was discovered: two wooden halves were carved, a graphite stick inserted, and the halves then glued together—essentially the same method in use to this day.

English and German pencils were not available to the French during the Napoleonic Wars; France, under naval blockade imposed by Great Britain, was unable to import the pure graphite sticks from the British Grey Knotts mines – the only known source in the world for solid graphite. France was also unable to import the inferior German graphite pencil substitute. It took the efforts of an officer in Napoleon's army to change this. In 1795, Nicholas Jacques Conté discovered a method of mixing powdered graphite with clay and forming the mixture into rods that were then fired in a kiln. By varying the ratio of graphite to clay, the hardness of the graphite rod could also be varied. This method of manufacture, which had been earlier discovered by the Austrian Joseph Hardtmuth of Koh-I-Noor in 1790, remains in use.

In England, pencils continued to be made from whole sawn graphite. Henry Bessemer's first successful invention (1838) was a method of compressing graphite powder into solid graphite thus allowing the waste from sawing to be reused.

American colonists imported pencils from Europe until after the American Revolution. Benjamin Franklin advertised pencils for sale in his Pennsylvania Gazette in 1729, and George Washington used a three-inch pencil when he surveyed the Ohio Territory in 1762. It is said that William Munroe, a cabinetmaker in Concord, Massachusetts, made the first American wood pencils in 1812. This was not the only pencil-making occurring in Concord. According to Henry Petroski, transcendentalist philosopher Henry David Thoreau discovered how to make a good pencil out of inferior graphite using clay as the binder; this invention was prompted by his father's pencil factory in Concord, which employed graphite found in New Hampshire in 1821 by Charles Dunbar.

Munroe's method of making pencils was painstakingly slow, and in the neighbouring town of Acton, a pencil mill owner named Ebenezer Wood set out to automate the process at his own pencil mill located at Nashoba Brook along the old Davis Road. He used the first circular saw in pencil production. He constructed the first of the hexagon- and octagon-shaped wooden casings that we have today. Ebenezer did not patent his invention and shared his techniques with whomever asked. One of those was Eberhard Faber of New York, who became the leader in pencil production.

Joseph Dixon, an inventor and entrepreneur involved with the Tantiusques granite mine in Sturbridge, Massachusetts, developed a means to mass produce pencils. By 1870, The Joseph Dixon Crucible Company was the world’s largest dealer and consumer of graphite and later became the contemporary Dixon Ticonderoga pencil and art supplies company.

By the end of the 19th century over 240,000 pencils were used each day in the United States alone. The favoured timber for pencils was Red Cedar as it was aromatic and did not splinter when sharpened. In the early 20th century supplies of Red Cedar were dwindling so that pencil manufacturers were forced to recycle the wood from cedar fences and barns to maintain supply. Britain went as far as declaring the use of pencil sharpeners illegal to discourage unnecessary sharpening. It was soon discovered that Incense cedar, when dyed and perfumed to resemble Red Cedar, was a suitable alternative and most pencils today are made from this timber which is grown in managed forests. Over 14 billion pencils are manufactured worldwide annually.

On 30 March 1858, Hymen Lipman received the first patent for attaching an eraser to the end of a pencil. In 1862 Lipman sold his patent to Joseph Reckendorfer for $100,000, who went to sue the pencil manufacturer Faber-Castell for infringement. In 1875, the Supreme Court of the United States ruled against Reckendorfer declaring the patent invalid.>>
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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Beyond » Fri Oct 21, 2011 6:16 pm

Ok,ok, Mr. Wreckendorfer, enough about pencils already!! We get the point.
To find the Truth, you must go Beyond.

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by neufer » Fri Oct 21, 2011 6:33 pm

Beyond wrote:
Ok,ok, Mr. Wreckendorfer, enough about pencils already!! We get the point.
I doubt it.
http://en.wikipedia.org/wiki/Eraserhead wrote:
Click to play embedded YouTube video.
Click to play embedded YouTube video.
<<Eraserhead is a 1977 American surrealist film and the first feature film of David Lynch, who wrote, produced and directed. Lynch began working on the film at the AFI Conservatory, which gave him a $10,000 grant to make the film after he had begun working there following his 1971 move to Los Angeles. The grant was not sufficient to complete the film and, as a result, Lynch worked on Eraserhead intermittently, using money from odd jobs and from friends and family, including boyhood friend Jack Fisk, a production designer and the husband of actress Sissy Spacek, until its 1977 release.

Eraserhead polarized and baffled many critics and movie-goers, but has become a cult classic. In 2004, the film was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in the National Film Registry. Lynch has called it a "dream of dark and troubling things" and his "most spiritual movie."

Eraserhead is set in the heart of an industrial center in a nameless city, rife with urban decay. Henry Spencer (Jack Nance) is a printer who is "on vacation" for the duration of the story. The film begins with the mysterious "Man in the Planet" (Jack Fisk) manipulating large mechanical levers while looking out of his window. As he does so, a ghostly flagellate-like creature emerges from the mouth of Henry, floating in space. The creature eventually flies away amidst images of rock formations, a circular opening, and bubbling fluid.

In the industrial center, Henry stumbles through the seemingly-unpopulated industrial wasteland to his apartment building with a bag of groceries. On his way in, a neighbor he is not familiar with, the "Beautiful Girl Across the Hall" (Judith Anna Roberts), tells him that his estranged girlfriend Mary X (Charlotte Stewart) has invited him to dinner with her and her family. In Henry's one room apartment, a sharp, distorted hissing noise (presumably the radiator) is continuously heard, large clumps of cut grass lay on the floor, a dead tree sapling planted in a pile of dirt sits directly on his nightstand, and a framed picture of a nuclear explosion hangs on the wall. The only window in his apartment faces the brick wall of another building.

That evening, Henry arrives at Mary's home, as invited. Henry is disturbed by the awkward conversation forced by Mary's mother (Jeanne Bates) as well as a strange fit Mary has; her mother reacts to it by furiously brushing her daughter's hair. At the dinner table, he is puzzled by a emotional outburst by Mary's mother, the banal, disconnected conversation offered by her father (Allen Joseph), and a miniature "man-made" roasted chicken he is given to carve, which kicks on his plate and gushes a dark liquid at the fork's touch. The dinner conversation at Mary's house is strained and awkward. Henry is later cornered by Mary's mother, who attempts to kiss him before telling him that Mary has just given birth extremely prematurely. A tearful Mary insists that it's unknown whether what she gave birth to was actually a baby, but her mother insists that it is a baby and that Henry is obliged to marry her.

Mary and the baby move into Henry's one-room apartment. The baby is hideously deformed and very inhuman-like: its face resembles a large snout with slit nostrils, a long, pencil-thin neck, eyes on the sides of its head, no ears, glossy skin and a limbless body wrapped in bandages. Henry and Mary constantly struggle with caring for the baby as it refuses to eat and continually whines throughout the night. One night, a hysterical Mary temporarily leaves for home due to her inability to sleep with the constantly-whining baby in the room. She demands that Henry take good care of the baby. After the baby falls silent, Henry checks its temperature. Looking away briefly to read the thermometer, Henry looks back at the baby to find that it is covered with sores and gasping for breath. Left to care for the baby by himself, Henry becomes involved in a series of strange events (many of which have little to no explanation to how or why they happen). These include bizarre encounters with the "Lady in the Radiator" (Laurel Near); visions of the Man in the Planet, and a sexual liaison with the Beautiful Girl Across the Hall. The Lady in the Radiator is a miniature woman with grotesquely distended cheeks who appears in his radiator, performing dance routines and singing on a miniature stage. Henry has a dream where his head pops off and his baby's head comes up from between his shoulders, replacing it. Henry's head sinks into a growing pool of blood on a tile floor, falls from the sky, and, finally, lands on an empty street in the industrial wasteland and cracks open. A young boy finds Henry's broken head and takes it to a pencil factory, where the head is taken to a back room, and his brain is determined to be a serviceable material for pencil erasers. The boy is paid for bringing in Henry's head, and the Pencil Machine Operator sweeps the eraser shavings off the desk and sends them billowing into the air.

After waking from this dream, Henry seeks out the Beautiful Girl Across the Hall, but discovers that she is not home. The baby begins to cackle mockingly, and, shortly thereafter, Henry opens his door and sees the Beautiful Girl Across the Hall bringing another man back to her apartment. She looks at Henry, but is frightened by a vision of Henry's head transforming into that of the baby. A disappointed Henry goes back into his apartment. Upon hearing the baby whine, he retrieves a pair of scissors. He hesitates, then cautiously cuts open the bandages wrapped around the baby's body. Henry finds that the bandages were the only thing containing the baby's internal organs; its body splits open and the vital organs are exposed. As the baby gasps in pain, a horrified Henry stabs its organs with the scissors. Rather than dying, however, the baby continues to convulse in pain, and Henry turns away in disgust. Large amounts of liquid gush forth from the organs, followed by huge quantities of a foamy substance that completely covers the baby's body. Henry watches in horror as the apartment’s electricity suddenly overloads, causing the lights flicker on and off. The baby's neck extends to an extraordinary length, causing it to strongly resemble the flagellate creatures seen at the beginning the film. A giant apparition of its head then materializes in the apartment and approaches Henry. The lights burn out, and the head is replaced by a strange "planet". The side of the hollow planet bursts open, and through the hole, the Man in the Planet is seen struggling with a series of levers, with sparks shooting from them, burning his face. The last scene features Henry being embraced by the Lady in the Radiator. They are bathed in white light, white noise builds to a crescendo, then stops as the screen goes black.>>
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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by Chris Peterson » Fri Oct 21, 2011 6:39 pm

Wolf Kotenberg wrote:in the same way pencils ruined the chisel business
In the spirit of brevity, I'd like to point out that a friend of mine just bought a brand new buggy whip, from a buggy whip manufacturer, for the purpose of driving a buggy. Perhaps that business isn't as ruined as we might have thought.
Chris

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Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by neufer » Fri Oct 21, 2011 6:45 pm

Click to play embedded YouTube video.
Chris Peterson wrote:
Wolf Kotenberg wrote:
in the same way pencils ruined the chisel business
In the spirit of brevity, I'd like to point out that a friend of mine just bought a brand new buggy whip, from a buggy whip manufacturer, for the purpose of driving a buggy. Perhaps that business isn't as ruined as we might have thought.
Art Neuendorffer

wolf kotenberg

Re: APOD: Tails of Comet Garradd (2011 Oct 20)

Post by wolf kotenberg » Fri Oct 21, 2011 8:47 pm

the boss must be away .....